Comedy about how a nice midwestern boy's life gets turned upside down when he meets, and falls for, a wildchild. When shy, respectable Charlie (Jesse Bradford) leaves the safety of his midwest roots to study in New York, his carefully planned life takes a major detour when he happens upon, and saves the life of, beautiful, crazy-chick Jordan (Elisha Cuthbert). Although his head's telling him she's not the one, his heart has other plans, and before long he's fallen hopelessly in love - despite himself.

Anna Kendrick and Rebel Wilson return in this musical comedy sequel following the fortunes of an all-girl a cappella singing group. The film follows The Barden Bellas as they enter an international singing competition that a group from the US have yet to win. Can they impress the judges enough to beat their competitors? The cast also includes Elizabeth Banks, Hailee Steinfeld, Brittany Snow and Katey Sagal.

Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. In these two new adventures, Jon Culshaw comes on board to play Kamelion, a shape-changing android companion from the Fifth Doctor’s era. BLACK THURSDAY by Jamie Anderson. 1902. Deep beneath the Welsh village of Abertysswg, men have worked the black seam for generations. Until the day of the disaster. The day that a blue box from the future materialised inside the mine... and things would never be the same again. POWER GAME by Eddie Robson. Welcome to the Incredible Power Game, in which three brave Earthlings enter the Void Pit in search of strange gems to help return the alien Hostess to her home dimension. Today's contestants include Graham, Sadia... and Tegan, an air stewardess from Brisbane! Jon Culshaw comes on board to play Kamelion, a shape-changing android companion from the Fifth Doctor’s era, the character’s first appearance at Big Finish. Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Mark Strickson (Turlough), Jon Culshaw (Kamelion), Lizzie Roper (Eira Hughes), Tim Treloar (John Hughes), Matthew Aubrey (Gwyn Hughes), Derek Hutchinson (Geoff Evans), Bettrys Jones (Judith Matson), Christopher Naylor (James Hudd), Harriet Kershaw (The Hostess), Natalie Winter (Una), Richard Popple (Richard), Dougie McMeekin (Stuart), Alex Tregear (Sadia).

Are your clients looking to grow their business ventures? This book provides an overview of the major investment schemes introduced to encourage growth capital investment, including the Enterprise Investment Scheme (EIS), Seed Enterprise Investment Scheme (SEIS) and Venture Capital Trusts (VCTs). The book provides practical guidance on the investment reliefs available and how to make them work for you and your clients. It describes the qualifying conditions that must be met by both the investors and the company, guides the reader through the process of claiming these valuable reliefs and advises on how to avoid losing them. This updated edition provides: - Coverage of the proposed uplift in SEIS limits - Discussion of recent tax cases in this field, including a number of important cases on Risk to Capital - Commentary on recent HMRC practice - Guides to the new online HMRC process for Advance Assurance Applications and Compliance Statements (EIS1/SEIS1) This title is included in Bloomsbury Professional's Platinum Tax online service.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.